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				<updated>2013-08-24T18:01:51Z</updated>
		
		<summary type="html">&lt;p&gt;Standard_Ingredients_of_Urdu_Poetry&lt;/p&gt;

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		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Version précédente&lt;/td&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Version du 24 août 2013 à 18:01&lt;/td&gt;
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		&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Ligne 1 :&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Ligne 1 :&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;It has scaled the pinnacle &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;accomplishment &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;attained considerably desired level of popularity amid the masses&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The grand masters of Gazal have been &lt;/del&gt;Mirza &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Galib, Mir Taqui Mir, And so on., On &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;other Nazam is a kind of poetry&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;which is a ongoing narration of a one considered &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;its related philosophy. It has created a incredible political and social effect. It has modified the full profile &lt;/del&gt;of the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;nation and masses which has produced dents into the political composition of rulers and ruling parties&lt;/del&gt;. The &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;most famous &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;well-liked amid them have been Josh and Iqbal. These two types of Poetry have reworked the thinking of quite a few men and women and groups alike. The vocabulary &lt;/del&gt;has &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;attained new heights in Urdu literature was owing &lt;/del&gt;to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Marsia (Elegy). This particular type of poetry &lt;/del&gt;is &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;dependable for the first richness of the language&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The most noteworthy had been Anees and Dabeer&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Subsequently, other poets have extra depth &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;electric power to the language&lt;/del&gt;. The other sorts of Urdu poetry contributed socially and culturally and the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;effect &lt;/del&gt;remained peripheral and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;limited &lt;/del&gt;lived. The early twentieth century witnessed a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;finest &lt;/del&gt;poet Josh Mallihabadi's contribution to Urdu poetry as unparallel in the historical past of Urdu literature.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The passage &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;time has evidently set up its spectacular &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; [http://www&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;nexopia.com/users/cocoa39breath/blog/1-urdu-poet-mirza-ghalib Urdu Poet - &lt;/ins&gt;Mirza &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Ghalib] profound consequences elevating &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;language position aside from the social&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;cultural &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;literal aptitude &lt;/ins&gt;of the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;generations&lt;/ins&gt;. The &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;interaction amongst these persons with different languages &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;dialects &lt;/ins&gt;has &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;at some point supplied start &lt;/ins&gt;to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;a language which &lt;/ins&gt;is &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;called [http://drawer62bacon&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;livejournal.com/670&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;html Urdu Poetry &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Its Influence]&amp;nbsp; Urdu&lt;/ins&gt;. The other sorts of Urdu poetry contributed socially and culturally and the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;impact &lt;/ins&gt;remained peripheral and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;quick &lt;/ins&gt;lived. The early twentieth century witnessed a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;biggest &lt;/ins&gt;poet Josh Mallihabadi's contribution to Urdu poetry as unparallel in the historical past of Urdu literature.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;His inclination &lt;/del&gt;to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;obtaining &lt;/del&gt;a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;permanent &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;protected resource &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;livelihood all his life so desperately can assist&amp;nbsp; [http://community&lt;/del&gt;.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;babycenter&lt;/del&gt;.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;com/journal/bow54breath/10864378/urdu_poet_-_mirza_ghalib Urdu Poet - Mirza Ghalib] us surmise some &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;his &lt;/del&gt;early &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;views about his staying&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Analysing the leads in the development of the Urdu language, then we conclusively ascertain the purpose performed by present languages and dialects of these areas. The amalgamation of diverse regional languages and dialects with Arabic and Persian has offered richness and sweetness &lt;/ins&gt;to a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;new language Urdu. The impression on human values was incredible, &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;it however contributing in conditions &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;high-quality arts and society&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In addition the sophistication and mannerism prevailed in a pronounced way&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The literary status &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the followers has designed considerable inroads in the multifaceted cultural societies. The sweetness of the language is like sound of music to the ears. The etiquette and humility have prevailed in the &lt;/ins&gt;early &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;interval and continued until not long ago. However, with the advent of modernism and diversification clubbed with other sights has diluted the cloth of Urdu lifestyle and traditions. The frequent spoken and written language was when Urdu has now limited to a precise region and some selective locations. The language's softness, abundant etiquette and mannerism even now hold waters. The Mushairas (Cultural gathering in which poets recite their Gazals, or Nazams, etcetera.) have and however contributing towards its revival and growth&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;As much &lt;/del&gt;as his &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;marital nicely currently being&amp;nbsp; [http://www.awebcafe.com/blogs/viewstory/3065250 Simple Ingredients &lt;/del&gt;of Urdu &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Poetry] &lt;/del&gt;is &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;involved, it was generally on tantrums&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;extremely most likely &lt;/del&gt;to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;be a element &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;parcel &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;these kinds of an early relationship&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Mirza Asadullah Beg Khan, identified to us &lt;/ins&gt;as &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Mirza Ghalib, is definitely a single of the biggest, if not the biggest identify exalting the stature of Urdu literature in standard and Urdu poetry in particular by &lt;/ins&gt;his &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;absolute brilliance in expression of his very mental, philosophical and visionary way of thinking, glittering the &amp;quot;Ghazal&amp;quot; style &lt;/ins&gt;of Urdu &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;poetry with everlasting fame. He &lt;/ins&gt;is &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;rightly referred as the very last classical and the first modern day poet of Urdu language&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;not only having the wonderful literary legacy handed above &lt;/ins&gt;to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;him by his predecessor Urdu poets of great experience &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;fame to its pinnacle but also laid powerful foundations &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;new trends and designs ever to dominate Urdu poetry and literature&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The two traces of &lt;/del&gt;a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;ghazal's matla have to finish in &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;radeef&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Each couplet, or &amp;quot;sher&amp;quot; expresses &lt;/ins&gt;a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;solitary assumed and can stand on your own. To fully grasp how &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;common Urdu poem is structured, it is crucial that you fully grasp what every single of these 5 phrases refer to&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Maqta&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Ordinarily, poets of &lt;/del&gt;Urdu Poetry &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;typically use pen names which are named Takhallus. The takhallus is commonly included into the past couplet of the poem as a kind of signature. The previous couplet of a ghazal that is made up of the takhallus is named the &lt;/del&gt;&amp;quot;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;maqta&amp;quot;.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Bahar&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In &lt;/ins&gt;Urdu Poetry&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;&amp;quot;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;bahar&lt;/ins&gt;&amp;quot; refers to the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;meter, or duration, &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;a couplet. Just &lt;/ins&gt;about every &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;line of a &lt;/ins&gt;couplet &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;should have &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;similar bahar as &lt;/ins&gt;the other. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;On 1 stop, it &lt;/ins&gt; [&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;https&lt;/ins&gt;://&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;heello&lt;/ins&gt;.com/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;cocoa44layer/14647130 Primary Substances of &lt;/ins&gt;Urdu Poetry] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;advanced a free &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;charge impartial spirit into him that ultimately played a substantial purpose in freeing &lt;/ins&gt;Urdu &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;poetry &lt;/ins&gt;from the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;confining shackles &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;tradition &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;convention&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;exposing entirely new&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;assorted and practical proportions to broaden &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;horizons &lt;/ins&gt;of Urdu &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;poetry&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Qafiya. The &amp;quot;qafiya&lt;/del&gt;&amp;quot; refers to the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;rhyming sample that is utilized just prior to the radeef at the conclusion &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;just &lt;/del&gt;about every couplet&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;. The qafiya is required to &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;purpose of every Urdu poem, even when &lt;/del&gt;the other &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;rules are not adhered to&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Now that you know &lt;/del&gt; [&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;http&lt;/del&gt;://&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;drawer62bacon.livejournal&lt;/del&gt;.com/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1371.html &lt;/del&gt;Urdu Poetry &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;and Its Effect&lt;/del&gt;] &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;what just about every &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the 5 phrases refer to, we change our focus to how they govern an &lt;/del&gt;Urdu &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;poem's framework. Initial, each and every couplet of a ghazal will have a entirely unique concept &lt;/del&gt;from &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;all &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;other couplets in the exact same ghazal. Next, all the couplets &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;a ghazal need to have the identical bahar. Each one couplet in a ghazal need to also conclusion in the similar radeef &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;use the very same qafiya. Each Urdu poem has a matla but some may possibly not have a maqta.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Like with most policies&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;there are also a amount of exceptions:&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;o	There are some ghazals that do not incorporate radeef.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;o	Sometimes&lt;/del&gt;, the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;ashaar &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;a ghazal will have the similar concept.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;o	Modern &lt;/del&gt;Urdu &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Poetry is significantly much less restrictive with the use of bahar than in the past&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;!-- diff generator: internal 2026-05-28 17:43:00 --&gt;
&lt;/table&gt;</summary>
		<author><name>Drawer83breath</name></author>	</entry>

	<entry>
		<id>https://wiki.cinejeu.net/index.php?title=Standard_Ingredients_of_Urdu_Poetry&amp;diff=157075&amp;oldid=prev</id>
		<title>Drawer83breath&amp;nbsp;:&amp;#32;Standard_Ingredients_of_Urdu_Poetry</title>
		<link rel="alternate" type="text/html" href="https://wiki.cinejeu.net/index.php?title=Standard_Ingredients_of_Urdu_Poetry&amp;diff=157075&amp;oldid=prev"/>
				<updated>2013-08-24T17:40:51Z</updated>
		
		<summary type="html">&lt;p&gt;Standard_Ingredients_of_Urdu_Poetry&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Nouvelle page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;It has scaled the pinnacle of accomplishment and attained considerably desired level of popularity amid the masses. The grand masters of Gazal have been Mirza Galib, Mir Taqui Mir, And so on., On the other Nazam is a kind of poetry, which is a ongoing narration of a one considered and its related philosophy. It has created a incredible political and social effect. It has modified the full profile of the nation and masses which has produced dents into the political composition of rulers and ruling parties. The most famous and well-liked amid them have been Josh and Iqbal. These two types of Poetry have reworked the thinking of quite a few men and women and groups alike. The vocabulary has attained new heights in Urdu literature was owing to Marsia (Elegy). This particular type of poetry is dependable for the first richness of the language. The most noteworthy had been Anees and Dabeer. Subsequently, other poets have extra depth and electric power to the language. The other sorts of Urdu poetry contributed socially and culturally and the effect remained peripheral and limited lived. The early twentieth century witnessed a finest poet Josh Mallihabadi's contribution to Urdu poetry as unparallel in the historical past of Urdu literature.&lt;br /&gt;
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His inclination to obtaining a permanent and protected resource of livelihood all his life so desperately can assist  [http://community.babycenter.com/journal/bow54breath/10864378/urdu_poet_-_mirza_ghalib Urdu Poet - Mirza Ghalib] us surmise some of his early views about his staying.&lt;br /&gt;
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As much as his marital nicely currently being  [http://www.awebcafe.com/blogs/viewstory/3065250 Simple Ingredients of Urdu Poetry] is involved, it was generally on tantrums, extremely most likely to be a element and parcel of these kinds of an early relationship.&lt;br /&gt;
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The two traces of a ghazal's matla have to finish in the radeef.&lt;br /&gt;
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Maqta. Ordinarily, poets of Urdu Poetry typically use pen names which are named Takhallus. The takhallus is commonly included into the past couplet of the poem as a kind of signature. The previous couplet of a ghazal that is made up of the takhallus is named the &amp;quot;maqta&amp;quot;.&lt;br /&gt;
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Qafiya. The &amp;quot;qafiya&amp;quot; refers to the rhyming sample that is utilized just prior to the radeef at the conclusion of just about every couplet. The qafiya is required to the purpose of every Urdu poem, even when the other rules are not adhered to.&lt;br /&gt;
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Now that you know  [http://drawer62bacon.livejournal.com/1371.html Urdu Poetry and Its Effect] what just about every of the 5 phrases refer to, we change our focus to how they govern an Urdu poem's framework. Initial, each and every couplet of a ghazal will have a entirely unique concept from all the other couplets in the exact same ghazal. Next, all the couplets of a ghazal need to have the identical bahar. Each one couplet in a ghazal need to also conclusion in the similar radeef and use the very same qafiya. Each Urdu poem has a matla but some may possibly not have a maqta.&lt;br /&gt;
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Like with most policies, there are also a amount of exceptions:&lt;br /&gt;
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o	There are some ghazals that do not incorporate radeef.&lt;br /&gt;
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o	Sometimes, the ashaar of a ghazal will have the similar concept.&lt;br /&gt;
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o	Modern Urdu Poetry is significantly much less restrictive with the use of bahar than in the past.&lt;/div&gt;</summary>
		<author><name>Drawer83breath</name></author>	</entry>

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