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Ah, but it's not that straightforward. As several would-be photographers can inform you, its not the gear that defines high quality its the person utilizing the gear. Oh, you knew that. Okay, what if I had been to offer you, say, $5000 to do a history of my life? Would you know what to do? Can you visualize the finish result? Or do you just hope that the button marked &quot;Ken Burns Impact&quot; will conserve your... Hey, nice camcorder. And I hear you have a pc, as well. Guess you are in the video business! Ah, but it is not that basic. As several would-be photographers can inform you, its not the gear that defines good quality its the individual making use of the gear. Oh, you knew that. Okay, what if I had been to supply you, say, $5000 to do a history of my life? Would you know what to do? Can you visualize the finish result? Or do you just hope that the button marked &quot;Ken Burns Effect&quot; will conserve your rear-finish? Sound cynical? Guilty as charged. But the proliferation of economical, decent quality video gear has convinced many a consumer they can do their own organization videos or wedding videos, and several a prosumer to make the fulltime leap into self-employment. So here's my offer. Read the subsequent 5 paragraphs or so for my &quot;video school in 5 minutes or much less&quot;, and you will be 1 small step closer to telling a compelling story, no matter what that story is. Five MINUTE VIDEO SCHOOL... starting now! 1) Produce an outline of your project. What do you envision it to be? In spite of all the hype about interactive and non-linear media, storytelling is linear. The human brain wants a logical flow, and when it does not get it, it gets distracted... starts daydreaming..... zzzzzz. So, even ahead of you start off shooting or editing, plot out your story. Let's say that you happen to be undertaking a video for the engagement party of a couple who are acquiring married, and you want to tell their life stories. Here's a standard outline: Ancestry Parents wedding Birth of kids  [http://cinexs.com/blogs/129851/176000/how-exactly-to-video-perfect-wed go here for more info]  Young children increasing up Higher school or college years Jobs Some recreational higher factors in their single lives The magic moment--couple meets Couple together Couple gets engaged  [http://xover.mud.at/~skunk/p2/node/53868 Nokia 6288 - Connecting The Entire World With Pictures | Projekt 2 Krems an der Dona]  Reprise of earlier shots (let's audience know its ending) Finale text, logo, &quot;Congratulations&quot; and picture of the satisfied couple.  [http://www.ece.cmu.edu/~ece742/2010spring/doku.php?id=The_Secret_Garden:_An_Outdoor_Las_Vegas_Wedding_Venue small blue arrow]  two) Get the raw material. We haven't even TOUCHED a camcorder however. You can't actually know how this story will feel and what supplementary shooting you are going to require until you know what raw material you will be operating with. Believe inside the box. If you search at a yearbook and just take a image of the yearbook, you have missed the story. Your &quot;stars&quot; are featured in that world... get close-ups of images from the book, pepper that with advertisements of Pepsi, Coke, Hostess Cupcakes, the cast of &quot;Saved by the Bell&quot;-- what ever they have been into at that age.  [http://www.dailystrength.org/people/2893396/journal/6191882 url]  Critical: verify for existing audio or video recording of your stars, not just nonetheless photos. 8mm film, old Betamax tapes, whatever. This can add a treasure trove humor and expression. Plus, vintage audio of voices lengthy gone can bring the crowd to tears. 3) New Section? New Music. Your outline quite significantly tells you how typically to adjust the music. Whenever the era or topic adjustments, use a diverse piece. It assists us recognize the era, it lets us know we can move on in the story from what came before, and it tells us how to really feel. In other words, vary the music according to the emotion, and think about your audience. It doesnt all have to be hip-hop or electronica. Some thing warm and fuzzy is frequently more suitable. 4) Ditch the specific effects. Transition effects were created for scene alterations, and the most effective 1 is still the dissolve. Web page turns, circle wipes, shatters, and other &quot;planet of the low-cost unique effects&quot; stuff will drive an audience to distraction-- away from your story. You're not the star, your subject or client is. 5) Shoot for the editor. There are basic rules of editing, but what they come down to is this: long shot, medium shot, close-up, cutaway. When you're shooting footage of the pleased couple in the rose garden, we want to see the garden, them, their faces, their hands (and a close-up of the wedding ring, and some signage telling us they're in the rose garden. Oh, a close-up or scan of their newspaper wedding announcement is good, also. Is it time? Place your pencils down. Follow these rues and pass to the next level of video storytelling! Good luck.